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What is important is that the performance last night was clearly about a gay male relationship.Given that, it will be interesting to see if this piece hurts or helps dancer Kent Boyd’s chances of winning.The few times two men actually dance together, the concept is carefully spelled out as romantic.It’s “Two princes going to war,” “Two beat boys fighting over the same girl,” or “Two regular joes playing baseball!
Whether or not you shared Michael Slezak’s enthusiasm for Fergie, or his appalled feelings over toys, or Simon Vozick-Levinson on hip-hop, or Chris Willman on country music and Bruce Springsteen, or Marc Bernardin on sci-fi, or Whitney Pastorek on music festivals and indie film, or Ken Tucker on , and too many others to name.In the rehearsal clip in fact, they went out of their way to describe the relationship between the two dancers as “best friends.” right now where I need to move on, and even if it does hurt Kent I just really need to move forward. Travis: When Kent gets stabbed in the back it’s a pain in your heart, your stomach, you want to throw up.And he turns around and looks and he’s like, “You’re not gonna get away with this.” Kent: I decide that I’m not gonna put up with this and actually do fight back. But what can be terribly frustrating is how the judges (in particular Nigel Lythgoe) seem hellbent on playing up the romantic “chemistry” aspect of the couples’ dancing.A lot of the choreographed pieces are eroticized duets. ), and male dancers who fail to look like they want to sexually devour their female partners seem automatically penalized and discounted.